Search Results

Anyone can copy/modify photos or ready-made images, but it is the skill of drawing from life, which reveals the artist's true "Masterability." Even when you paint you never stop drawing, only this time you do that with the brush. Master Portrait Workshops, Igor Babailov. Igor V. Babailov, Hon.RAA, KStA Intensive Portrait Master Workshops "Even when you Paint you never stop Drawing, only this time you do it with your brush!" ~ Igor V. Babailov, Hon.RAA Igor V. Babailov 's unique 16-year long formal fine art education (1974 -1990) under the Russian Academy of Arts (founded in 1757), especially contributed to his unparalleled skill in academic drawing ( or drawing from life ) which t oday is a fundamental challenge for many painters. " ainting does not exist without drawing. It is the outstanding drawing with its perfect values, which makes the best examples of paintings in the History of Fine Art strong and powerful. P Anyone can copy/modify photos or ready- made images, whether they are black and white or in color (you would not need a solid art education for that...); but it is the skill of working from life and particularly drawing from life, which reveals the artist's true "Masterability." Even when you paint you never stop drawing, only this time you do that with the brush. Drawing from life is the must and the fundamental to learn and to know for anyone, wishing to become a truly Professional Artist and Portrait Painter. That is the philosophy of the traditional school and such Masters as Bouguereau, Whistler and Serov . And this is the main focus of my workshops with life demos in Oil, Pencil and Pastel, which distinguishes them from the workshops of others. In Visual Art, I believe, the more Demos of different medium techniques the students see, the more they learn and understand how to approach those mediums in their own works. It is especially helpful to realize that those very different mediums are actually very much related to each other and have a lot in common - they are the 'clothes' on the beautiful anatomically structured human form underneath. Academic Head Study by Igor Babailov Surikov Academy, 1988 Having 16 years of formal academic education and 30 years of teaching experience with students around the world, I can assure you that there are no shortcuts in Visual Art's learning. However, my accredited Academic method of teaching will enable you to possess the knowledge you need and to gain the skills you deserve in no time. With the proper academic instruction, just like the Masters you will be able to paint expertly and fast, without wasting your time on fixing mistakes, simply because there won't be any. This will also help you to establish your individual style and to find yourself as an artist sooner than you think. Your education is your investment, invest wisely." ~ Igor V. Babailov, Hon.RAA Intensive Portrait Master Workshops F requently A sked Q uestions Letter to Artists Igor Babailov's Academic Lineage to the Great Masters

Portrait of the Emmy Award actor Tony Lo Bianco, "French Connection" and other films, by portrait artist Igor Babailov, unveiled in New York City. Igor V. Babailov, Hon.RAA, KStA Recent Celebrity Portraits Tony Lo Bianco Awards winning actor, "French Connection" and many other films Tony Lo Bianco (oil on canvas, 24" x 20") by Igor V. Babailov Igor Babailov and Tony Lo Bianco Tony Lo Bianco portrait Tony Lo Bianco unveiling, portrait by Igor Babailov Tony Lo Bianco portrait, New York City unveiling OTHER CELEBRITY PORTRAITS by Igor Babailov

American Portrait Artist, Maestro Igor Babailov, awarded the Ellis Island Medal of Honor (2022) that ranks as one of the most prestigious national awards in America. Past Medalists include eight U.S. Presidents, several Nobel Prize Laureates, leaders in business, arts, sciences, politics, etc. Officially recognized by the U.S. Senate and U.S. House of Representatives, recipients are read into the Congressional Record, Senate Tribute to Igor Babailov Igor V. Babailov, Hon.RAA, KStA Ellis Island Medal of Honor Photo Credit: Noam Galai / Getty Images On May 14, 2022, at the official ceremony in New York City, Igor Babailov was awarded the Ellis Island Medal of Honor , which ranks as one of the most prestigious awards in America. He was selected for his "outstanding leadership and achievements in arts and culture and philanthropic and humanitarian contributions to our nation." This award is officially recognized by both the U.S. Senate and U.S. House of Representatives, and the recipients are read into the Congressional Record . CONGRESSIONAL RECORD - Tribute to Igor Babailov Washington, DC, July 13, 2022 Past Medalists include: Eight (8) Presidents of the United States; Nobel Prize recipient Elie Wiesel; Generals Norman Schwarzkopf and Colin Powell; Secretaries of State Madeline Albright, Hillary Clinton and Condoleezza Rice; Albert II, Prince of Monaco; Bob Hope; Muhammad Ali; Frank Sinatra; Rosa Parks; Mike Wallace, and Oscar-winning actress Rita Moreno, and many other distinguished individuals. From left to right: Igor Babailov, Mary Calia, Julie Hudson, Billy Hudson With George Xu With Roosevelt Andre Credit Mary Calia, Nasser Kazeminy and Igor Babailov VIDEO Other Awards and Honors

Portrait of American actor and producer, James Gandolfini, best known for his role as Tony Soprano, the Italian-American crime boss in HBO's television series The Sopranos, Celebrity portraits by Igor Babailov. Igor V. Babailov, Hon.RAA, KStA Recent Celebrity Portraits Actor James Gandolfini American actor and producer, best known for his role as Tony Soprano, the Italian-American crime boss in HBO's television series The Sopranos, for which he won three Emmy Awards, three Screen Actors Guild Awards, and one Golden Globe Award. Actor James Gandolfini (oil on canvas, 36" x 36") by Igor Babailov Collection: Estate of the Gandolfini family Actor James Gandolfini Official unveiling of the portrait New York City OTHER CELEBRITY PORTRAITS by Igor Babailov

Official Portrait of Pope Benedict XVI by portrait artist Igor Babaillov, selected by the Pope for the Vatican Splendors international museum tour and exhibited alongside the works of Michelangelo, Bernini, Giotto and other Masters of the Renaissance. Igor V. Babailov, Hon.RAA, KStA Recent Official Portraits His Holiness Pope Benedict XVI Selected by the Pope for the Vatican Splendors international museum tour, exhibited alongside the works of Michelangelo, Bernini, Giotto and other Masters of the Renaissance. "The Truth, The Way and The Life" Portrait of His Holiness Pope Benedict XVI Oil on Canvas, 72" x 48" ( 183 cm x 122 cm ) Collection: Vatican Museum, Vatican, Rome With His Holiness Pope Benedict XVI, at the Apostolic Palace, Vatican At the Vatican Splendors with the organizers of the exhibition and Vatican Curator At work on the portrait of Pope Benedict XVI "This portrait is much more than an image, it is a painting of a presence. It catches the Pope’s shyness, physical presence and strength ... one of the best portraits of the Pope, I've ever seen! ~ Archbishop Pietro Sambi, Apostolic Nuncio to the United States Collection: Vatican Museum, Vatican, Rome Related LINKS to Igor Babailov's Vatican works The Vatican Splendors exhibitions Official Portrait of Pope Francis Official Portrait of Pope St. John Paul II Official Portrait of the Commander of the Pontifical Swiss Guard The Sacred Art Resurrection of Realism - Beauty will save the world - article OTHER OFFICIAL PORTRAITS by Igor Babailov

Group Portrait Paintings - Official, Corporate, Distinguished Family and Historic Portraits by Portrait Master artist Igor Babailov, Nashville - Naples - New York - Washington Group UP Igor V. Babailov, Hon.RAA, KStA GROUP PORTRAITS Distinguished Family, Corporate, Historical A great portrait painting stands far beyond photography! ~ Igor V. Babailov Preserving Legacy on Canvas. (selected works) ( Oil on canvas, 9 feet x 6 feet ) "CREDO." (oil on canvas, 8 feet x 6 feet) Privately Commissioned by multiple families, to immortalize their children and grandchildren in the company of two Saints, John Paul II and Mother Teresa. Original Concept & Composition Copyright © Igor V. Babailov Collection: Pope St. John Paul II National Shrine, Washington, DC What You Need To Know When Commissioning A Portrait Painting PORTRAIT PROCEDURE The Portrait Master Approach

Official portrait of Luke Gregory, M.A. - CEO, Vanderbilt Children's Hospital, by artist Igor Babailov, in Nashville, TN, Distinguished scientists, doctors, Healthcare Industry leaders. Igor V. Babailov, Hon.RAA, KStA Recent Official Portraits Luke Gregory, MBA, MHA, MA CEO, Vanderbilt Children’s Hospital Collection: Monroe Carell Jr. Children’s Hospital at Vanderbilt, Nashville, TN Luke Gregory, MBA, MHA, MA CEO, Vanderbilt Children's Hospital, Nashville, TN (Oil on Canvas) Portrait unveiling at the artist's studio with distinguished healthcare Industry leaders. OTHER OFFICIAL PORTRAITS by Igor Babailov

Portrait Master, Igor Babailov, reveals What You Need To Know When Commissioning a Portrait Painting - SEVEN Essentials to Commissioning a Portrait Painting. What You Need To Know When Commissioning a Portrait Painting by Igor V. Babailov, Hon.RAA, MFA( PhD), KStA, D.Litt.(Hon.Causa) A NOTE for Portrait Clients and their Interior Designers Traditionally and historically, a great portrait painting stands on its own - it is not a decorative item that fits a particular interior style, or caters to a color trend / fashion of a moment in time, because the great portrait painting is timeless and it passes onto children and their children and onto future generations in the family. The great portrait painting also stands far beyond photography, because it is NOT a copy of a split second photographic moment of a physical appearance, but it captures the inner world of the person. Unlike photographs which visibly fade and deteriorate in just a couple of decades, it takes 450 years for oil paint to dry completely, making a portrait painting truly a Legacy portrait that lasts forever. here are two key questions everyone would ask when searching for a portrait artist: Who that artist would be? and How much would it cost? T Naturally, commissioning a portrait painting would be something we wouldn't consider to do often, and perhaps once in a lifetime. Therefore, making the right decision today will be what we and our future generations will treasure and live with tomorrow. Please allow me to share with you my professional knowledge and expertise based on the philosophy and professional approach of the Masters of Portraiture, such as Ilya Repin , John Singer Sargent and Valentin Serov , as well as my own highest Academic art education and life-time experience in portraiture; particularly in painting portraits for commission. by Ilya Repin About Portraiture and Higher Standards Artists have painted portraits for centuries, often for commission, and often not. Regardless of how they were done, the artist’s skill would have been looked at first. As the most perfect creation, the Human Form was the main focus of studies at the old Academies. It has been known throughout generations of artists that, “if you knew how to draw the human form, particularly the human portrait, you could draw anything.” All academic studies were based on working with life-models, and the artists drew and painted only from life or from their imagination. Even when photography was already invented, the Artists still learned the Anatomy and the laws of Perspective. They exercised their Visual memory and applied their skills of working from life to create life-like convincing multi-figurative compositions and group portraits. In the past several decades, with the boom of commercialism and drastic changes in Art education, when Drawing and Human Anatomy were completely erased from the curriculum of Fine Art programs, portraiture became something of a commercial venture, and quite often today it is nothing more, but a copy of a photograph, which does not require the Master knowledge, Creativity, Imagination or any in-depth Academic training. Although in the history of art, portraiture has always been recognized by Master painters as the MOST challenging genre in visual arts, today there are more artists call themselves 'portrait painters', than ever before... That is, because many of them simply copy photos without having to test their skills to the challenge of working from life. It would be interesting to imagine just how many of these artists would continue to paint portraits if the camera and photography would not be available to them. Consider this. When we were school children in kindergarten, we copied images from books, comics strips, etc. It really did not require much skill at all to copy a ready made image or a photograph. But in the context of painting portraits professionally in the tradition of the Masters, high artistic skills and ability to realistically create (not just to copy pictures)must be the uncompromising criteria for every "professional" portrait painter! Fortunately, the values of traditional art education are eternal. Currently, the art world experiences an important transition and the notable art academies have already started the reconstruction of their academic curriculum to teach those traditional values to their students again. However, the consequences of promoting art, which doesn’t require a skill of drawing or anatomical knowledge, are still present, and sadly even in portraiture. Therefore, when selecting an artist, consider every aspect including the portrait process. You will be quite surprised to learn how many artists today can not draw with a free hand and trained eye, but simply copy/ grid a photograph (do not confuse it with the Masters' method of transferring their own preliminary drawings onto large canvases and murals). Some of today's artists even use projectors, projecting photos on canvas and tracing them. How about painting over the photographs? Believe it or not, that happens too…. by John Singer Sargent The Seven Essentials #1. Realism vs Photo-Realism ( know the difference ) These days even artists are often confused about Realism versus Photo-Realism, what is what? It’s really not that complicated. Photo-Realism is the copying of a photograph. And what is a photograph? A photographic image is only a second of a life time: “Say cheese.. and you’ll freeze.” So, it may capture the moment, but it may not capture the person. Very often we hear: “I don’t like to be photographed!” or “I’m not very photogenic!”... Of course, YOU ARE. That is what the camera, the heartless tool, does – it takes everything, what is necessary and what is not. This is where the difference between the camera and the artist comes in to play, because the ARTIST CAN SELECT. Realism goes f ar beyond photography. Through the harmony of tonal and color values it portrays the subject in the appropriate setting, where everything contributes to the individuality and character of the person, and nothing competes with it or detracts from it. The details on the Realistic portrait are not photographically copied, but portrayed selectively, providing the life-like and convincing image of the person. Of course, to be able to do so, the artist must possess a certain skill, which can only be acquired by the knowledge and the expertise of working from life. Because of the popularity of photography and having no other comparison, the innocent viewer can comment about the strong realistic painting: “It is as good as a photograph!" It has been noticed that such a comment never occurs, if the person actually sits for the portrait, participates and experiences the whole portrait process, and realizes that there was no photography involved and the outstanding realistic likeness can be achieved directly from life with a free hand. That is exactly, what in the old days made people appreciate artists. The artist was recognized as somebody who could do something what nobody else could do! Of course today, the vision and meaning of art have changed, but the necessity of the skill required to create portraits in the best traditions of Classical Realism, remains constant and obvious. Leah (oil) by Igor Babailov #2. The Ability to Draw from Life This is where the true artistic skill is revealed! Again, these days you may hear from some artists: “I paint, but I would rather not draw.” .. Why?.. Because any weakness the artist may have in portraying proportions or tonal values or in the anatomy details, can easily be exposed in black & white drawing. In painting however, they may get away with those mistakes, as the color or "painterly" brush strokes can distract the viewer's eye from those mistakes. As an excuse not to draw in front of a client, such artists may even try to undermine the importance of drawing, saying that to draw would be a low thing to do for their "professional level". This is total nonsense! The curriculum of any true Academic school in all times was always based on perfecting the skill of drawing, as a fundamental for strong painting. That would remain to be the goal of any Master painter throughout their professional career. The famous 17th Century Nicolas Poussin said: “Drawing is the skeleton of painting, the color is its flesh.” The most contemporary American artist Norman Rockwell stated: "You build the house before you paint it." If you can draw, you will always be able to paint. It has been recognized by generations of artists, that Drawing is the core of the artists' strength, especially in portraiture. As part of the teachings of the Masters, the ability to draw and paint from LIFE is and will always be a sign of the true fundamental skill of an artist. However, the popularity of photography has created, if you will, “photocopy artists”, who would only copy photographs which is a very basic level of artistry to begin with. These artists present such copies of photographs as if they were Fine Art portraits, when in fact, they are only representative of a split second in a person's lifetime. PLEASE NOTE: Portrait study with Gen. David Petraeus, US Military Commander and CIA Director If photographs are used in painting a portrait, it would certainly be to your advantage to find out whether or not the artist has a greater skill than just copying photos. The skill in question is the ability to work from life, which enables the artist to portray the likeness with the most natural and life-like appearance, truly immortalizing the person and creating the portrait, which goes far beyond its photographic references. To ascertain the presence of this vital skill for a successful portrait painting, you might wish to consider the following: a simple DRAWING TEST. DRAWING TEST: Ask the artist to draw a black & white sketch of you, your child or whomever the portrait subject is - on the spot, and of course from life. That could be done simply on white paper with a graphite pencil right in front of you. Do not worry, it won't take forever. The experienced and skilled Artist should be able to complete a life-like and a full of character sketch within 30 minutes. Remember, just like all the Masters of the past, the pro will always be proud to demonstrate their skill in drawing from life without any hesitation. The 20th century master portrait artist Pietro Annigon i once said: "If one can draw, one can always paint". #3. Experience Another way to be assured of the artist’s qualifications and the artistic credentials is to see more samples of their work, than only those shown in the artist’s portfolio. That could also prevent you from any surprises and an Oops! situation later on. As a preliminary portrait stage and part of the artist's portrait procedure, there maybe a life-study involved. Whether it is drawing or painting, skilled artists usually deliver a faster result without jeopardizing quality, simply because they do not waste their time on fixing mistakes. Below is an approximate time which experienced and skilled Fine Artists will require to complete portrait studies entirely from life in different mediums, relatively fast, yet full of likeness and fine details. DETAILED portrait studies from life by an experienced artist Medium Time required Graphite Pencil Sketch (14"x11") - up to 30 min. Pastel Portrait Study (20"x16") - approx. 1.5 - 2 hrs. Oil Portrait Study (20"x16") - approx. 2.5 hrs. OIL GRAPHITE PASTEL: #4. Academic Education It is as important and fundamental in Realistic art as the alphabet is to learn a language! Figure Drawings from Life Life models As I mentioned earlier, in the past several decades (since about 1960-s) classical art education was basically ignored in many art schools. As a result, after completing art programs, graduates could not really draw, because the in-depth Renaissance teaching methods were not taught. This is why, university art degrees, along with their titles, presented in the artists's portfolios since that time, were often not considered by others to be an important criteria of the artists' credentials. Expertise in Human Anatomy Fortunately a handful of accredited schools remained, providing high quality art education and focusing not only on teaching how to "express emotions", but on giving students the vital Drawing skills. Because of this and due to the Realist Movement and the current return to traditional values in visual art, historical appreciation for Fine Art Degrees is finally coming back.. A standard university art degree, offered by fine art education in 'studio arts', is BFA (Bachelor of Fine Arts). The HIGHEST DEGREE one can earn in visual art education is the MFA degree, Master of Fine Arts, equivalent to the Ph.D. and E.D. in other fields, please read here . ALL the greatest Masters of all times regarded the Traditional Academic training as indispensable in the development of highest artistic and professional skills - the higher the TRADITIONAL ACADEMIC education, the higher the competence, credentials and credibility of the artist. A few examples of the academic works by Igor Babailov Master Copies in museums Throughout the centuries, the artists' main goal was to study in the highly acclaimed accredited Academies of Art, or under the Master(s), who graduated from such Academies.That was to obtain the highest possible knowledge of Human Anatomy, Perspective, Master Methods of Drawing and Painting. Only after successfully completing these studies, could they pursue a professional career in figurative art including, of course, Portraiture. Portrait Drawings from Life #5. Budget and Investment Price comparison is naturally a priority consideration, but make sure that you compare 'apples to apples' ! Since having a portrait painted is usually a once in a lifetime experience, every credential should be considered, including the artist's ability to work from life. If you're thinking to hire an artist to copy a ready-made image of a photograph, you may as well just enlarge that photo and save yourself a lot of money... However, remember: photographs don't last, as they start fading immediately after they are taken..... If you are thinking of a true luxurious Fine Art Portrait in the tradition of the Masters, to pass it on to your descendants and future generations, look beyond the price tag, as in the long run our descendants are going to inherit what we purchased for them. So why not go for the best! Please keep in mind though, because of today's common unawareness of what the portrait painting should be, a 'photocopy artist' may ask almost as high price for a portrait as the skilled Artists would. Once again, the way to be assured in the true qualifications of 'your' artist would be by offering the DRAWING TEST (please see Essential #2). It is known that with time, the works of Fine Ar t * (please see below) increase in value, and this is naturally applied to portrait painting ** (please see below). For your information, ninety percent (90%) of the Metropolitan Museum collection are life-painted commissioned portraits. If the artists' officially commissioned portraits include those of business and political leaders and celebrities, whose names stay in history, the artists' names who officially painted them go into history with their subjects. The value of such artists’ works are guaranteed to be on the higher level at any time and in the future. #6. Painting Hands Another way to asses the quality of work you're possibly interested in, is to observe the artist’s ability to paint hands. It has been recognized by generations of artists to be even more challenging than painting the portrait itself. The Masters referred to hands as "the second portrait." Given their impeccable knowledge of Human Anatomy and not to mention that they painted only from life, the hands in their portrait paintings look life-like just as the heads do. Strikingly, many of today's artists experience difficulty with painting hands even when they are copying photographs. So once again, simply look at the larger number of the portrait samples where the hands are included and then listen to your heart. #7. Listening to your heart Regardless of your art education, or what your occupation is, and whether or not your neighbor had a portrait painted by the same artist, you will feel intuitively, if there is anything wrong with the portrait samples you are looking at. That should be the signal for you to just look more thoroughly at things, so you would avoid making a costly and irreversible mistake. Artists with the lack of proper education and experience of working from life, totally depend on the camera and copy whatever is visible on the photograph, without knowing what’s underneath. As a result, instead of creating the in-depth and full of character portrait, they draw a mask with no soul. Unlike the amateurs, the Pros, by bringing their experience of working from Life, improve on the reality of the camera, filling in the one element missing: the Soul. Photography was a great invention and today it often assists in creating commissioned portraits, both on the client side and for the artist. However, because of its general popularity, photographic image became more than a reference point and quite often even used as a subject for copying and tracing, which sadly simplifies the true essence of fine art portraiture and in reality, shallows its meaning. Just like The Masters of the past, I don't believe in "short cuts", especially in portraiture, as it is a form of art, which represents the highest form of The Creation, us. I also have a great admiration for those contemporary artists realists, who chose not a path of least resistance, but to explore and study the expertise of the traditional school, the most challenging and the only school, which teaches you to draw and empowers the artist with the skills of the Masters. If you have read up to this point, you are one of the many people interested in knowing more about the fine art of portraiture and its timeless values which will always exist, regardless of new movements in art. To Summarize, commissioning a Portrait is a huge responsibility you undertake for the generations to come. Therefore, I believe you deserve to have this necessary fundamental knowledge about: the differences between photographic images and realistic portrait paintings the skill of drawing freehand when photographs are used, developing a portrait from a number of references, vs just copying a single photo the artist's ability to work from life and the value of that experience in painting successful portraits All of these factors and information above may assist you greatly in your selection process and efforts in finding your artist, for you and the future generations to benefit. Igor V. Babailov, Honorary Academician of the Russian Academy of Arts (est.1757) painted his first portrait at the age of four and began his formal classical art education at nine (1974-1990). Having studied with leading Masters of painting and drawing at the Surikov Academy of the Russian Academy of Arts (est. 1757), he received the Master of Fine Arts Degree (MFA) and In the direct ‘teacher-student’ lineage of the Russian Academy, Babailov is a third generation student of the world-famous artists Ilya Repin and Valentin Serov. * Traditionally, "Fine Art" term is referred to the form of art, created by the artist's Talent and the human Skill. This obviously doesn't include photography, which is produced by a camera. ( I.V.B.) According to scientific research, it takes 450 years for Oil paint (Oil paintings) to dry completely, this is why today the beautiful Renaissance paintings look as 'fresh' as if they were painted yesterday. A photograph, on the other hand, starts to deteriorate IMMEDIATELY upon it is taken, and fades visibly in 30 - 50 years. ** © The essay herein is the intellectual property of Igor V. Babailov and may not be reproduced in whole or in part without written permission from Igor V. Babailov. Any attempt to plagiarize the written material of this page will violate the international community's laws and ethics. CONTACT US

Portrait of Prime Minister Jean Chretien (Charcoal on Canvas), by Igor Babailov. Collection: Power Corporation of Canada. Igor V. Babailov, Hon.RAA, KStA Recent Official Portraits Prime Minister Jean Chretien 20th Prime Minister of Canada Portrait of The Right Honourable Jean Chretien , 20th Prime Minister of Canada (Charcoal on Canvas, 40" x 30") Collection: Power Corporation of Canada Portrait sitting with Prime Minister Jean Chretien at 24 Sussex, the official Prime Ministers' residence in Ottawa, Canada OTHER OFFICIAL PORTRAITS by Igor Babailov

The Schedule of upcoming Portrait Master workshops with Igor Babailov. Registration online. Igor V. Babailov, Hon.RAA, KStA Intensive Portrait Master Workshops o schedule a 3-Day Master Portraiture Workshop in your area, please Contact us or email: info@babailov.com T 2-Day Drawing Workshop in Rome, Italy In the Footsteps of the Master May 3 - 4, 2024 9:3 0 am - 3:30 pm If you happened to be in Rome on these dates, join Igor Babailov in this adventure of making spontaneous drawings from life of beautiful historic sites and architecture, ancient street scenes and monuments in the 'Eternal City' of Rome, Italy. Watch him draw, get inspired, and receive personal One-on-One instruction. Workshop Fee: €500 . Euros (non-refundable after April 30, 2024) (Includes: Working on location with Igor Babailov: inspired One-on-One instruction and Master demonstrations ) 3-Day Master Portraiture Workshops October 2 - 4, 2024 9:30 a m - 4:30 pm Workshop Fee: $750 ( inclu des One-on-One instruction, M aster demonstrations, beautiful models, p rivate S tudio Babailov tour ) For more information and with any questions, please CONTACT US , or email: info@babailov.com PLEASE NOTE: Due to highly individualized attention, the workshop space is limited, and registration is on a 'first-come first-serve' basis. "Visual Art education is about 'seeing', and I believe in leading by example, so to inspire my students and before they get to their own works , I do a quick, yet detailed, portrait demonstration from life." - Igor V. Babailov Timelapse of a 2-hr Step-by-Step Portrait Demo from Life The Igor Babailov 3-Day Master Portraiture Workshop is a rare opportunity to learn the insights of portraiture and advance your skills in painting and drawing portraits from life under One-on-One instruction by Igor Babailov. Working from LIFE in the A cademic tradition of the Great Masters improves your fine motor skills, visual memory, ability to better see and understand the portrait subject's form, character and essence, and successfully depict their 3-D appearance on a 2-dimensional surface. It prompts you to think and work faster and make the right split-second decisions instantly and on the spot, and not waist time on fixing mistakes. It ultimately liberates you from dependency on photography, helps to discover your individuality as an artist and advance your unique artistic skills to the new levels. If one can comfortably draw and paint a portrait entirely from life, one will always be able to work from photographs as well, and not the other way around, this is the reality! The workshop features: beautiful life models, master demonstrations and One-on-One instruction by Igor Babailov. "In Visual Art, it's better once to see, than one hundred times to hear! " - Igor V. Babailov Each day begins with a brief inspirational Portrait Demo from Life DAY 1: 1.5-hr DRAWING demo DAY 2: 2-hr PASTEL demo DAY 3: 3-hr OIL demo PLEASE NOTE: Due to highly individualized attention, the workshop space is limited, and registration is on a 'first-come first-serve' basis. More workshops to be announced Don't miss the exciting opportunity to study with Igor Babailov! About the A rtist F requently A sked Q uestions The Babailov Palette & Art Supplies Letter to Artists The Drawing Skills in Portrait Painting Igor Babailov's Formal Academic Lineage ~ the Great Masters CONTACT US

Beautiful Portrait Paintings of Beautiful Women - Distinguished Corporate & Private Art Collections, by Portrait Master Artist Igor Babailov, Nashville - New York - Washington - Naples Women UP Igor V. Babailov, Hon.RAA, KStA PORTRAITS of WOMEN (selected portraits) Chief Justice Annette Ziegler - Supreme Court of Wisconsin Portrait study from life (graphite) Portraits in Oil "Portraits of women occupy a special place in my portfolio. They are mothers, daughters, wives, entrepreneurs and distinguished professionals. I am always honored and humbled to paint their portraits, as I am grateful for their devotion and enormous gift of strength and inspiration they share with the world." ~ Igor V. Babailov, Hon.RAA CLICK on portraits below to see them CLOSER Theresa Menefee Ann Lemire The Baroness Mother's Love Martha-Ann Alito Lady in a pink hat Dr. Julie Hudson First Lady Hillary Clinton Hon. Lisa Wood Amy Debbie Trudeau Senator Marsha Blackburn Julia Bianchi Terrie Isabel Owen Elizabeth Dinkel Maria Bartiromo Dori Sawatzky Dr. Rebecca Stafford Ruth Gjessing-Newman MAMA Mary Kirby Irish Woman Hannah Barker Young woman from Nashville Mary Anderson Rachel Gibbs with her dogs Izzi Eberstadt Mary Eberstadt Kate Eberstadt Zandi Eberstadt Dusan Desmarais Joannie Calia Porth Kaye The Graham family Jill Lindene Kaufmann Dorothy Geen Awarded "Outstanding Achievement in Portrait Painting" - International Portrait Competition, Atlanta, GA (1993) Woman with her dog What You Need To Know When Commissioning A Portrait Painting PORTRAIT PROCEDURE The Master Approach

Portrait of Governor Yves Fortier, The Hudson's Bay Company (founded in 1670), by portrait artist Igor Babailov. Saks Fifth Avenue. Corporate business portraits in oil. Igor V. Babailov, Hon.RAA, KStA Recent Official Portraits Gov. Yves Fortier Governor of the Hudson's Bay Company, the oldest company in the world (founded in 1670) and former Canadian Ambassador to the United Nations Collection : The Hudson's Bay Company Gover nor Yves Fortier (48"x 36", oil on canvas), by Igor Babailov. Portrait sitting at the Artist's studio by Sir Peter Lely by Sir Anthony Van Dyck Other portraits in the Collection include the portraits of the First Governor, Prince Rupert (1619-1682), painted by famed artists Sir Peter Lely (1618-1680) and Sir Anthony Van Dyck (1599-1641) Official collection: The Hudson's Bay Company OTHER OFFICIAL PORTRAITS by Igor Babailov