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- Igor V. Babailov | PRESS & PORTRAIT NEWS
Portrait artist Igor Babailov - Press and News, Official Portrait Unveilings: Presidents, Popes, Prime Ministers, U.S. Supreme Court Justices, Royalty, Celebrities Press News Up Igor V. Babailov, Hon.RAA, KStA Share PRESS and NEWS For Media Inquiries Testimonials Igor Babailov on the Billboard at Times Square, New York City In his life-time professional portrait career, Igor V. Babailov, Hon.RAA, KStA, MFA(Ph.D), D.Litt.(Hon.Causa), has painted over 2,000 portraits. More than half of these are in the official public, distinguished private, corporate and museum collections around the world. He is the only portrait artist to have received the Ellis Island Medal of Honor (2022) which ranks as one of the highest awards in America with his name read into the Congressional Record. Babailov was selected to paint legacy portraits of Presidents, Prime Ministers, members of noble families/ royalty, and four living Popes for the Vatican, to name a few. Igor Babailov has been featured in art publications and news media nationally and internationally, such as: The New York Daily News, Washington Post, The Times of Malta, National Review, CBC News, the Vatican's ZENIT, Live with Regis and Kelly Show, The Artist's Magazine, Art World News, International Artist, Classical Realism Journal, The Moscow Times, AskMen, MercatorNet, The Encyclopedia Tematica del Peru, Italian American magazine Primo, and many others. PRESS GALLERY SCROLL DOWN and CLICK on photos below for more information Ellis Island Medal of Honor 2022 Honorary Doctorate, Cumberland University (est.1842) New Portrait of George Washington, Official collection: George Washington's Mount Vernon Museum Distinguished Fellow, Ciocca Center of the Busch School of Business, Catholic University of America Pope Leo XIV Audience and life-studies in preparation for the new oil portrait. Pope Francis Portrait presentation 18th Prime Minister of Canada, Brian Mulroney Pope Benedict XVI Collection: Vatican Museum, Rome Prime Minister Mark Carney - former Governor of The Bank of England, and The Bank of Canada Justice Clarence Thomas, U.S. Supreme Court - portrait sitting in preparation for the official oil portrait Life sitting with Nelson Mandela President Vladimir Putin of Russia Commissioned by Canadian Government and presented by Jean Chretien, Prime Minister of Canada Babailov's Portrait of Pope Benedict XVI, selected by the Pope to represent his papacy at the Vatican Splendors Museum tour and d isplayed alongside the works of Michelangelo, Giotto, Bernini and other Great Masters of the Renaissance. American Pianist Byron Janis and Dr. James Watson, discoverer of DNA General David H. Petraeus U.S. Military Commander, CIA Director President George W. Bush 43rd President of the United States Officially commissioned to Igor Babailov on behalf of the G8 Summit members. Collection: George W. Bush Presidential Library. Justice Samuel Alito, U.S. Supreme Court - official portrait unveiling Pope St. John Paul II Rudy Giuliani Mayor of New York City Col. Christoph Graf, Commander of the Pontifical Swiss Guard, Vatican Her Imperial Highness Grand Duchess Maria Vladimirovna, awarding Igor Babailov with the knighthood of dynastic Order of St. Anne ( est.1735) Reggie Jackson, American Baseball Legend U.S. Ambassador to the Holy See, Mary Ann Glendon, Vatican Prince Andrew The Duke of York, 2014 Amb. Michael Novak Official photography - Igor Babailov and two Prime Ministers of Canada, photographed in the very room where Winston Churchill posed to Yousef Karsh for his 1941 iconic photograph. Supreme Court of New York Justice Joseph P. Sullivan Her Excellency, Marie-Louise Coleiro Preca, President of Malta Four Seasons Hotels & Resorts Isadore Sharp, Founder & CEO, with his life-size portrait in the far background. Tony Lo Bianco American Actor Hon. American Academician of the Russian Academy of Arts (est.1757) 20th Prime Minister of Canada, Jean Chretien . Mikhail Kalashnikov, Inventor of AK-47 His Holiness Patriarch of Russia, Kirill Governor Yves Fortier The Hudson's Bay Company (incorporated in 1670). Tiki Barber American Football Star Regis Philbin, American Entertainer Bobby Hull, Hockey Legend James Gandolfini American Actor ("The Sopranos", etc.) Vladislav Tretiak Hockey Legend, Portrait presentation Portrait of Judge Seth Norman, Official portrait unveiling - Nashville, TN. Portrait of C.Wright Pinson, MD, MBA, CEO Vanderbilt Health System From left to right: Dr. Billy Hudson, Dr. Julie Hudson, Igor Babailov, Hon.RAA, Dr. C.Wright Pinson Boomer Esiason American Football Star Bill Gallo American Sports Illustrator, New York Daily News Bucky Dent American Baseball Legend, Presented at Yankee Stadium in New York City Igor Babailov was invited to unveil his portrait of the legendary film director Akira Kurosawa at Steven Spielberg's World Celebrities Art Fair, in Tokyo, Japan
- Igor Babailov | Ellis Island Medal of Honor
American Portrait Artist, Maestro Igor Babailov, awarded the Ellis Island Medal of Honor (2022) that ranks as one of the most prestigious national awards in America. Past Medalists include eight U.S. Presidents, several Nobel Prize Laureates, leaders in business, arts, sciences, politics, etc. Officially recognized by the U.S. Senate and U.S. House of Representatives, recipients are read into the Congressional Record, Senate Tribute to Igor Babailov Igor V. Babailov, Hon.RAA, KStA Ellis Island Medal of Honor Photo Credit: Noam Galai / Getty Images On May 14, 2022, at the official ceremony in New York City, Igor Babailov was awarded the Ellis Island Medal of Honor , which ranks as one of the most prestigious awards in America. He was selected for his "outstanding leadership and achievements in arts and culture and philanthropic and humanitarian contributions to our nation." This award is officially recognized by both the U.S. Senate and U.S. House of Representatives, and the recipients are read into the Congressional Record . CONGRESSIONAL RECORD - Tribute to Igor Babailov Washington, DC, July 13, 2022 Past Medalists include: Eight (8) Presidents of the United States; Nobel Prize recipient Elie Wiesel; Generals Norman Schwarzkopf and Colin Powell; Secretaries of State Madeline Albright, Hillary Clinton and Condoleezza Rice; Albert II, Prince of Monaco; Bob Hope; Muhammad Ali; Frank Sinatra; Rosa Parks; Mike Wallace, and Oscar-winning actress Rita Moreno, and many other distinguished individuals. From left to right: Igor Babailov, Mary Calia, Julie Hudson, Billy Hudson With George Xu With Roosevelt Andre Credit Mary Calia, Nasser Kazeminy and Igor Babailov VIDEO Other Awards and Honors
- Portrait of Pope Leo XIV | Igor Babailov
Official portrait of Pope Leo XIV, by Igor Babailov, commissioned portrait artist to Popes in the Vatican, Presidents, Prime Minister, global and business leaders. His Holiness Pope Leo XIV Life Portrait Studies in preparation for the upcoming grand Oil Portrait Vatican A Life Portrait Study, Vatican Graphite Photography credit: Vatican media Igor Babailov's Vatican Paintings & other Sacred Artworks Official Portrait of Pope Benedict XVI Official Portrait of Pope Francis Official Portrait of Pope St. John Paul II Official Portrait of the Commander of the Pontifical Swiss Guard The Vatican Splendors exhibition Igor Babailov's other Sacred Artworks Resurrection of Realism - Beauty will save the world - article OTHER OFFICIAL PORTRAITS by Igor Babailov
- Igor Babailov | Knighthood - Order of St. Anne | Portrait Master
Chevalier Igor V. Babailov, Hon RAA, KStA - Portrait Artist, Knighthood and Nobility Coat of Arms Igor V. Babailov, Hon.RAA, KStA Chevalier of the Order of St. Anne About The Order of St. Anne The Order of Saint Anne, bestows the honor of Knighthood, as well as personal nobility. Throughout the centuries, it has been awarded to individuals for their outstanding achievements and exemplary service in their professional fields. The “Order of St. Anne," the Dynastic Order of Chivalry, was founded on February 14th, 1735, by the Duke Karl Friedrich of Holstein-Gottorp and was in memory of his wife, Anna Petrovna, daughter of Peter the Great. The Order’s motto is "Amantibus Justitiam, Pietatem, Fidem" (To Those Who Love Justice, Piety, and Fidelity.) Other distinguished recipients of the Order of St. Anne included: U.S. Navy Commander, John Paul Jones (1747-1792) , Rear Admiral, Revolutionary War hero and known as the Father of the American Na vy , who received the Order of St. Anne personally from Catherine the Great; Karl Br yu llov (1799 -18 52) , F a mo u s artist, known in the History of Art as Karl The Great; Leo Tolstoy (1828 - 1910) , World-famous R ussian writer who is regarded as one of the greatest authors of all times; Kons tan tin Tsiolkovsky (1857-1935) , one of the founding fathers of modern rocketry and astronautics, and many others. Malta, 12 June, 2017. Knighted by Her Imperial Highness Grand Duchess Maria Vladimirovna, the Head of the Imperial House of Romanov and direct descendant of the Russian, European and British royalty, including Alexander II and Queen Victoria. HIH Grand Duchess Maria Vladimirovna and HIH Grand Duke George Mikhailovich HIH Grand Duchess Maria Vladimirovna and Queen Elizabeth II With HIH Grand Duchess Maria Vladimirovna and President of Malta, Marie-Louise Coleiro Preca On the Billboard at Times Square, New York City ~ Official Coat of Arms ~ of Igor V. Babailov and his Family (Hereditary Nobility) Granted, Signed and Sealed by Her Imperial Highness Grand Duchess Maria Vladimirovna, Head of the Imperial House of Romanov 4 November, 2020
- Portrait of Christopher Columbus | by Igor Babailov
Multi-figure mural size painting - Group Portrait of Christopher Columbus, "For Gold, God and Glory", by portrait artist Igor Babailov, historic portrait paintings Igor V. Babailov, Hon.RAA, KStA Group Portraits and Multifigure Murals For Gold, God and Glory Portrait of Christopher Columbus Included in Peruvian Encyclopedia on discoveries of the Americas For Gold, God and Glory - Portrait of Christopher Columbus (Oil on Canvas, 70"x79"), Copyright © by Igor Babailov THE STORY "For Gold, God and Glory" (Oil on Canvas, 70"x79") is the artist’s own rendition of the arrival of Christopher Columbus and his crew in the Americas. There were only several portraits of Columbus painted in the History of Art and they all looked like portraits of different people, because nobody knew exactly what Columbus looked like. Igor Babailov created “his own” Columbus and based his careful depiction of features and likeness on the biographical description written about Christopher Columbus by Columbus's son. Mr. Babailov used no models, but set up a mirror with one source of light and used his own image in the mirror to create facial expressions, body and hand positions for the subjects in the painting. Preparation for the painting also involved historical research including investigation into the clothing and the fashion of that period. Igor Babailov portrayed Christopher Columbus to honor all those before him that came to make this continent their home. At work on "For Gold, God and Glory" in 1992. Painting's CLOSEUPS Every face is created entirely from the Artist's Imagination. Mr. Babailov used no models, but set up a mirror with one source of light and used his own image in the mirror to create expressions and hand positions for subjects in the painting. Featured in: Peruvian Encyclopedia Empresa Editora Il Comercio, S.A. (2004) PRIMO - Italian-American Magazine (2001) and many other publications ...
- Igor Babailov | Portraits of WOMEN
Beautiful Portrait Paintings of Beautiful Women - Distinguished Corporate & Private Art Collections, by Portrait Master Artist Igor Babailov, Nashville - New York - Washington - Naples Women UP Igor V. Babailov, Hon.RAA, KStA PORTRAITS of WOMEN (selected portraits) Chief Justice Annette Ziegler - Supreme Court of Wisconsin Portrait study from life (graphite) Portraits in Oil "Portraits of women occupy a special place in my portfolio. They are mothers, daughters, wives, entrepreneurs and distinguished professionals. I am always honored and humbled to paint their portraits, as I am grateful for their devotion and enormous gift of strength and inspiration they share with the world." ~ Igor V. Babailov, Hon.RAA CLICK on portraits below to see them CLOSER Theresa Menefee Ann Lemire The Baroness Mother's Love Martha-Ann Alito Lady in a pink hat Dr. Julie Hudson First Lady Hillary Clinton Hon. Lisa Wood Amy Debbie Trudeau Senator Marsha Blackburn Julia Bianchi Terrie Isabel Owen Elizabeth Dinkel Maria Bartiromo Dori Sawatzky Dr. Rebecca Stafford Ruth Gjessing-Newman MAMA Mary Kirby Irish Woman Hannah Barker Young woman from Nashville Mary Anderson Rachel Gibbs with her dogs Izzi Eberstadt Mary Eberstadt Kate Eberstadt Zandi Eberstadt Dusan Desmarais Joannie Calia Porth Kaye The Graham family Jill Lindene Kaufmann Dorothy Geen Awarded "Outstanding Achievement in Portrait Painting" - International Portrait Competition, Atlanta, GA (1993) Woman with her dog What You Need To Know When Commissioning A Portrait Painting PORTRAIT PROCEDURE The Master Approach
- Margaret Leo of McLean | Portrait by Igor Babailov
Portrait of Margaret Leo of McLean, by portrait artist Igor Babailov, Collection: Catholic Information Center, Washington, DC Igor V. Babailov, Hon.RAA, KStA Margaret Leo of McLean Margaret Leo of McLean (oil on canvas, 30" x 24") Collection: Catholic Information Center, Washington, DC Portrait Unveiling with the Leo family at the Catholic Information Center, Washington, DC
- Igor Babailov | LETTER to ARTISTS
World-renowned portrait painter and figurative artist, scholar and teacher, Igor Babailov, Hon.RAA, shares his academic expertise in traditional art education with his fellow artists and art students. Igor V. Babailov Hon.RAA, KStA, MFA(PhD), D.Litt.(Hon.Causa) Commissioned Portrait Painter Master of Fine Arts degree (MFA) - official Ph.D equivalent, College Art Association (U.S.A.) Honorary Life-Time Member of the Russian Academy of Arts (est.1757) Knighted Chevalier of the Order of Saint Anne (founded in 1735) Honorary Doctorate - Cumberland University Letter to Aspiring and Professional Artists Dear Friends, ALL of the greatest Masters in the history of art regarded formal academic training as indispensable for the development of the highest professional skills. My teaching experience is a direct result of my own years of studies (1974-1990) in the consistency of the academic discipline and established historic curriculum at one of the world's oldest and acclaimed fine art academies, the Russian Academy of Arts (est. 1757). Having started my formal art education at the age of nine, I continued to study within the academic art system for the next sixteen years and had become very familiar with countless challenges one may face in drawing, painting, composition, etc. Therefore, based on my own vast experience of being a formal student for many years, I understand and know exactly what the students need in any given situation, as well as how to successfully resolve any complicated issues they may have, right on the spot. Students posses and are enriched by the skills and knowledge that their teachers pass on to them. If their teacher had not received an extensive classical education, it is most likely that the students would then be limited to only acquire their teacher's 'style and approach', and the fruits of their labor could result in their becoming 'beggars in knights armor' so to speak, as the roots of deeper knowledge and skill, vital for the development of artistic individuality, would not be introduced. "Painterly" and "Photo-realistic" in contemporary portrait painting Have you ever had a feeling, when looking at contemporary realistic paintings, particularly portrait paintings, that they could be divided into two polarized categories: some seem 'dried out' and resemble photographs, and the others look somewhat 'incomplete' in so called 'bravura' of painterly brushstrokes? A true realistic painting in the tradition of the Masters will not look like a photo, and visible brushstrokes will not be chaotic to draw the unnecessary attention either. The brushstrokes must follow the form and correspond to the bone and muscle structure underneath the skin, to guide the viewer's eye in the right direction and in search of the subject's inner-world, instead of intentionally destructing from possible mistakes in proportions. Speaking of proportions and anatomy... the arms and hands in the portrait, especially HANDS, which were described by the Masters as "another portrait", must always be impeccably drawn in proportion to the body with the expertise of the anatomic structure, to assure their equal life-like appearance in the portrait. This is why the works of the great Masters, such as Sargent and Zorn, are strong and never cartoonish, as they have the substance of anatomic strength and uncompromising loyalty to the accuracy of drawing in every area of the painting. Today, unfortunately, the 'painterly style' is quite often used by portrait artists to camouflage any errors in anatomy and proportions; so, we should not follow blindly the praises for such a "style" without keeping in mind that the above mentioned Masters did not just paint, they "drew with brushes", as I like to say. The great Italian Master of the 20th century, Pietro Annigoni stated: "Painting does not exist without Drawing, and it is Drawing [from life] that gives the exact measure of the painter. Drawing never fails, but often the artist does." Let us remember this! Mother's Love (Oil, Grisaille manner) by Igor Babailov The Power of Proper Art Education One can compare art education to the solid foundation of a house, as once it is built properly, it will hold any shape or form you will place on it. This is why it is not sufficient to acquire just any art education, it must be rather a proper classical art education. As in parallel with painting, it also teaches you DRAWING which IS the core of any strong realistic painting. Having a broad and well-rounded academic formation, is a source ofstrength for every artist. First and foremost, it is the application of the academic principles in every subject we draw that we must learn to see. Wouldn't you like to have total confidence in yourself as an artist and to be able to draw and paint realistically entirely from life and/or from your imagination, absolutely anything and be totally comfortable without the use of the camera, when portraying any subject in any genre: portrait, landscape or multi-figurative composition? The academic method, or someone's "style"? In art education, the academic method of learning is universal and also economical. It saves you time and money in the long run and the trouble of trying to build what you need, out of bits and pieces from various workshops by different instructors who, due to the lack of their own education, teach their "approach", instead of classical foundation. Different instructors' personal approaches and their often complicated palettes, may 'clash' with each other and result in confusion and an unclear direction for students. It is like attempting to learn how to write using both hands at the same time. How far would you go? If you want to learn fast and efficiently, proper academic instruction in the principles of classical academic curriculum, should be your focus. It is accessible, straight forward and recognized for its most effective teaching of composition, perspective, foreshortenings, anatomy and tonal values. All the Masters of the past did just that. Despite their different geographic backgrounds, they all went through the same universal academic art training, as prerequisite for the development of high drawing skills, artistic individuality and, eventually, becoming the Masters. Bouguereau, Zorn, Repin are known for their very distinct individual styles, yet that was not what they learned during their academy training, not the 'styles', but the very same alphabet of the academic art language, and spoke it fluently in their own ways. Zorn Studied at the Royal Swedish Academy of Arts Bouguereau Studied at the École des Beaux-Arts, Paris Repin Studied at the Russian Imperial Academy of Arts Sharing the Historic Russian School of Traditional Art Education Since 1974 through 1990, I was very fortunate to study and receive distinguished art degrees from the Russian Academy of Arts (founded in 1757). My friend Amb. Michael Novak, Templeton Prize recipient and world-renowned American scholar, once stated: "One good thing that came out of the Iron Curtain, was the outstanding Russian art education!" When Modernism was already marching for decades throughout Western Europe and North America, the Russian School of Art was the only historic school in the world, which remained free of Modernist influence, as behind the 'iron curtain' it kept its academic roots intact and preserved the best of classical academic education. Art education is like reading the Bible, over and over again, building on what you know and always learning something new. That is why my classes are not limited to so-called 'levels' of instruction. I share with my students the IN-SIGHT of my formal art education, which covers a broad spectrum of critical issues, highly beneficial to all artists, students and professionals, who aim to improve and polish their skills in drawing and painting. Leonardo da Vinci once wrote, 'Poor is a student, who doesn’t go further than their teacher.' Just like Leonardo, I also believe that there must be no secrets whatsoever and I share with my students one hundred percent of everything I have learned during my own academic years in the classrooms and studios of the historically acclaimed Academy. For God, Gold and Glory The Arrival of Christopher Columbus and his crew in the Americas (oil on canvas, 72" x 79") by Igor Babailov Master Workshops' Agenda My workshops contain two important parts: The Instructor's Demo and The Students' Practice after observing the demo. In Visual Art we learn by seeing. In fact, that is how we learn. Therefore, within my workshop program, I do three separate 1.5 - 3 hour (quick and highly detailed) life demonstrations in Drawing, Pastel and Oil, each in the approach of the academic training. This is a great opportunity for students to witness the progression of portraits from life in different mediums, from start to completion. My goal, as your instructor, is to simply show you and teach you 'right' from 'wrong', so you can quickly get on the right and your own artistic path towards advancing your individual skills where 'the sky is the limit'. Following my demo, inspired students work on their own pieces, and every student receives my personal and individual attention according to their needs and specific requirements. For more information and to see the schedule of my upcoming workshops, please refer to the Workshops page on my website www.Babailov.com . To register, please inquire at info@Babailov.com or you may register online HERE . I look forward to seeing you in class! Most sincerely, SHARE THIS © The essay herein is the intellectual property of Igor V. Babailov and may not be reproduced in whole or in part without written permission from Igor V. Babailov. Any attempt to plagiarize the written material of this page will violate the international community's laws and ethics.
- Igor Babailov | FAQ - Workshops for Artists
Find the answers to Frequently Asked Questions about Igor Babailov's portrait master-workshops. Igor V. Babailov, Hon.RAA, KStA Portrait Master Workshops F requently A sked Q uestions Please NOTE: © The essay herein is the intellectual property of Igor V. Babailov and may not be reproduced in whole or in part without written permission from Igor V. Babailov. Any attempt to plagiarize the written material of this page will violate the international community's laws and ethics. What skill levels is this class recommended for? Q: IB: Traditional academic training is as important for any artist, as strong foundation is for any house: first it must be built, then it needs maintenance! So, my classes are beneficial for all levels of artists. What makes this class different from other instructors' classes? Q: IB: I was fortunate to receive my sound academic training within the studios of the historically acclaimed Russian Academy of Arts (est.1757) with the in-depth studies of Human Anatomy, Perspective, Foreshortening, and other sciences in art, applications of the Great Masters' knowledge, all put into practice. Consequently, based on my education I do not teach to copy neither my or someone else's "approach" or "style," but convey the insights of fundamental principles in proper classical fine art education, historically taught in traditional schools of art . This is the only path to develop your own uniqueness and individuality as an artist, a prerequisite to becoming a Master artist yourself. Q: How fast will I learn in this class? IB: Due to my own vast experience of having been a student for many years during my formal academic art education (1974-1990), I understand and know exactly what students need in any given situation, as well as how to successfully resolve any complicated issues they may have, right on the spot. Q: What are the benefits of the demos in the learning process? IB: In Visual Art we learn by seeing. In fact, that is how we learn. Therefore, my workshops contain two important parts: the Instructor's Demo and the Students' Practice after observing the demo. Each day begins with an inspirational "how to" portrait demonstration in a different medium, a great opportunity to witness the complete step-by-step fast and detailed development of the portrait from start to finish. Upon the demo's completion, students are working from life with the model on their own pieces under my i ndividual and undivided attention and one-on-one instruction. While watching the demo, students may also take photos of various stages of portrait progression, which can be used later as point of reference in their own works after the workshop is over. Q: Can photographs be used in the class? IB: The purpose of this class is to free yourself from dependency on the camera, and to learn the skills of drawing and painting like the Great Masters did, in direct communication with nature. If you are able to work from LIFE, you will always be able to apply that skill to working with photographs, if you have to. In that case, the artist is always in control of the situation and creates the portrait which goes far beyond its photographic references, instead of just copying a photo. Intensive Portrait Master Workshops Intensive Portrait Master Workshops The Babailov Palette & Art Supplies Intensive Portrait Master Workshops Intensive Portrait Master Workshops Intensive Portrait Master Workshops Please NOTE: © The essay herein is the intellectual property of Igor V. Babailov and may not be reproduced in whole or in part without written permission from Igor V. Babailov. Any attempt to plagiarize the written material of this page will violate the international community's laws and ethics.
- Igor Babailov | The Babailov Palette | Art Supplies
The Igor Babailov Palette and recommended Art Supplies Igor V. Babailov, Hon.RAA, KStA The Babailov Palette & Art Supplies ver the past 35 years, I have shared the limitless possibilities of my limited-color palette and its "rainbow arrangement" of colors with my students and fellow professional artists in the U.S. and around the world. And I am delighted to see just how many artists have adapted it in the creation of their own works! ~ I.B. O Valery Babailov About The Babailov Palette This limited 8- color rainbow arrangement of complementing colors on my palette, was first introduced to me in my childhood, by my father, Valery Babailov , professional artist and teacher. Throughout his formal university art education, he was taught and inspired by his professor of painting A.Kholmogorov , who graduated from the Surikov academy under V.Tsiplakov , the student of I.Grabar and S.Gerasimov, both received formal art education in the studios of Ilya Repin and Valentin Serov . "This 8-color rainbow arrangement of paints on my palette, was first introduced to me in my childhood, by my father, Valery Babailov , professional artist and teacher ART SUPPLY LIST 3- day Master Workshop (day-by-day) Day 1: (Charcoal / Graphite Pencil) Medium weight (white/off-white, toned) paper. Size (approx.) 20” x 16” Graphite HB – 4B pencils, black charcoal (“Italian”) pencils (2B – 6B), sepia, white pencil. Eraser. Day 2: (Pastel) Pastel (toned) paper. Size ( approx.) 20” X 16” or 24" X 19" "Nupastel" sticks (various colors). One pastel pencil (preferably sepia color). Day 3: (Oils) 1 Stretched canvas / linen. Size (approx.) 20” X 16”. Oil Painting medium: 1/3 Odorless Thinner/Turpentine + 1/3 Linseed Oil + 1/3 Dammar Varnish. Oil Paints: Flake White Raw Sienna Lemon Yellow Hue Cadmium Red Hue Alizarin Crimson Viridian Green Hue Ultramarine Blue Raw Umber Yellow Ochre (optional) English Red (optional) Cadmium Orange (optional) Oil Painting Brushes: various sizes Filbert brushes ( from N2 - N12), round Sable brushes (N6 - N8). Wooden Palette Palette Knife Intensive Portrait Master Workshops F requently A sked Q uestions Letter to Artists The Drawing Skills in Painting The Masters' Lineage Formal Academic Art Education
- The Hon. Michael Meighen | Portrait by Igor Babailov
Official portrait of The Honorable Michael Meighen, Igor V. Babailov, Hon.RAA, KStA Recent Official Portraits The Honorable Michael Meighen Former Senator, Chancellor of McGill University, and grandson of Arthur Meighen, the 9th Prime Minister of Canada Collection: McGill University, Montreal The Honorable Michael Meighen (oil on canvas, 52' x 42') Collection: McGill University, Montreal OTHER OFFICIAL PORTRAITS by Igor Babailov
- Igor Babailov | Studios | American Portrait Master
Igor Babailov, Hon.RAA meets with his portrait clients in his Mid-South Studio and National Arts Club in New York City. Igor V. Babailov, Hon.RAA, KStA Studio Portrait Sittings The Mid-South Studio The National Arts Club New York City Mr. Babailov also travels extensively to the schedule and convenience of his portrait client’s location and caters to a distinguished professional clientele in the United States, Canada and around the world. PORTRAIT PROCEDURE The Master Approach What You Need To Know When Commissioning A Portrait Painting













